Derailing My Train of Thought by Thomas Wightman
Says Thomas about this project: “The final book sculpture of my major project series. Like the previous two sculptures it uses a visual metaphor to convey the emotions of obsessive-compulsive disorder, and embodies my research by visualising an expression used by a sufferer of OCD. The expression was ‘derailing my train of thought’, because the person felt that the rituals they had to perform were disrupting their day. Where the compulsions and worry would side track them from doing everyday activities.
To convey this metaphor the sculpture shows a train travelling on a journey that has become disrupted, leading it to derail from its set path. Typography was used on the tracks for the title of the piece, also type was used for the coal. In the scene it shows the coal cart tipping over where the type has become mixed up to symbolise the mixed emotions during anxiety and panic”.
Color signatures of novels’ visual content by Jaz Parkinson. More. Looks like it may be possible to order prints, and even make requests!
(I just finished reading The Road and I can’t believe there is even THAT much color.)
These are my colour signatures, an ongoing collection which are basically graphs of all the visual content in the books. For example when it might say ‘yellow brick road,’ ‘yellow’ gets a tally, or when for example in The Road it says ‘dark ash covered everything’ (not an actual quote), that image evokes dark grey instantly in the mind, so dark grey gets a tally. They are then ordered into a spectrum and drawn up, so the result is a surprise to me until it is done. I was shocked at The Road as well! A lot of the colour is fire, and when they finally find some food the book describes ‘juicy glistening peaches,’ which is so visual after pages and pages of grey.
A2 Prints on gorgeous enhanced matte are available, and I am more than willing to take a request to add to the collection.
Thanks for all your support! Love you guys.
One step closer to turning the world into an awesome dystopian sci fi setting
Oh man, I love these.
My Mom’s has Sheep print on the part that hugs the stump! Not as advanced as these ones though.
Stone Sculptures by Japanese Artist Jiyuseki
Project Description: Incredible Stone Sculptures. Jiyuseki is a Japanese artist and sculptor who carves incredible sculptures in stone to create a perfect illusion of a soft or elastic material. It’s amazing how realistic the effect looks, even though he doesn’t remove the rough texture of the stones.
Source: We and The Color
GEOLOGIST BRAIN DOES NOT COMPUTE. WOAH.
When Sandy Patangay left her home country of India to come to the United States, she never dreamed that she’d one day be able to bring something so special from her native culture to eager New York City consumers. After having completed her masters and begun working on Wall Street, she turned her sights away from the corporate world and began to channel her true passion - henna design - into a project that has become incredibly successful in an incredibly small amount of time. Transmuting traditional henna designs onto a whole new medium, Sandy creates beautiful cakes, cookies, and macaroons that have earned critical praise from some of the most renowned culinary experts. Thinking back on her decision to take this step in establishing her own business, she says:
So many times, I asked myself, whether this was a stupid move — walking away from a secure job to sell cakes. But now I can see I didn’t waste a single day. While I loved what I was doing on Wall Street, there’s only so much you can do to climb the corporate ladder. And how many people actually end up being the CEO? But when you follow your passion, the possibilities are endless.
Check out her website here.
My art sold! I’m so excited.
(Gosh, aren’t they a million times better than the pictures I took myself? /o\)
“Israeli artist Ronit Bigal meticulously presents excerpts from sacred Biblical texts on the human body in her Body Scripture IIseries. Like Allan Teger’s Bodyscapes, Bigal gets in close to the contours of the human form, re-imagining the body as an abstract landscape. On the grooved, fleshy expanse, the artist systematically applies black Indian ink calligraphy in Hebrew that reveals passages of scripture.”